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Now that art history was finished, we switched our full attention to our three drawing assignments: creating a personal mythology, a landscape, and a free piece. I began drawing a piece that I had originally gained inspiration for when I went to New York City two years ago. Walking anywhere in that city was a challenge. I remember it being similar to playing a game of “chicken.” You see a person standing directly in front of you and you have a few short seconds to determine who is going to divert around the other. Upon the first few days I did not stand a chance and was darting and dodging people left and right. By the end however, I had a bit of a new confidence and more of an understanding for how the traffic works. It’s honestly quite fascinating how so many hurried people can maneuver an extremely crammed area and still end up getting where they need to go in a somewhat timely manner. You quickly get over the idea of having your own personal space and instead learn to cooperate with those around you. If this task isn’t difficult enough as it is, try it on a rainy day when all five thousand people on the same street as you have an umbrella the size of a restaurant awning. Now people are not only concerned about bumping into one another, but now they have to avoid getting it caught on scaffolding, traffic signs, other peoples hair, head, eyes or any other body parts for that matter, and getting stuck half in and half out on the subway. This process seemed all too symbolic of the point I was at in my life. Not quite sure of myself, trying to steer clear of danger and set backs, and just hoping to reach the other side of the street safely not knowing what to expect once I got there. But even so, I didn’t feel alone, because I had my best friend standing right next to me the whole time, feeling exactly the same feelings, and with the same goal in mind. In Italy, this was again the case. I began drawing two females walking side by side, arms linked, and each with an umbrella in hand. The figures were easy to develop since I know them both so well. Once I finished charcoaling the females, I knew that they could not remain floating in white space; however, I wasn’t very concerned with the imagery in the background and drew in an Italian street setting with poor linear perspective and much lighter details. Looking back, the scenery didn’t matter to me, the location could be interchanged, and new elements could be included. I have realized that what matters most in this piece is that the two females display a bond, a connection, a shared desire and ambition to achieve a common goal, a dependency and at the same time enough independence and confidence not only in each other but in one that develops within themselves when they are together. It wasn’t until we hung our artwork up for the second time that I was able to come up with a fitting title for this particular piece. I usually hate choosing titles for my artwork and end up assigning a random and pointless name to my piece at the last second. But for one of the first times, I find that the title adds another dimension, an element that is missing without that slight bit of information. My title is “Directionally Challenged.” This sums up several aspects of my life especially at this point in time. I often have a difficult time navigating my way through a new city, portraying depth or linear perspective in my art, and choosing a future path. Directionally challenged is an understatement.

To celebrate, recap and test our knowledge on the art history we had seen, the students split into teams and participated in a competitive jeopardy-style game. It was nice to refresh and reorganize all that we had seen within just three short weeks. The game ended up being much more relaxed than we were anticipating and cookies and peanut butter were given as prizes to the top three teams. That night Johan’s parents were visiting, and they brought Swedish beer and alcoholic breezers for us to try. While we sampled the foreign beverages, we decided to plain the hilarious “vegetable” game. All players stand in a circle and each player must choose a fruit or vegetable to represent. When your fruit or vegetable name is called you must say your name and then call on someone else in the group using their chosen name. The trick, and what makes this game so entertaining is that while the game is in play, everyone must cover their teeth with their lips. Teeth are not to show throughout the duration of the game. The facial expressions, altered speech, and lack of visible teeth had us rolling on the ground with laughter. That night was a great closing for the art history portion of the trip.



After experiencing the lively and extremely noisy culture of Florence we traveled by train to Perugia. Upon our arrival we were greeted by Rossella Vasta, a bubbly and exuberant Italian woman gleaming generosity and hospitality. Rossella loaded Ellen and I and our luggage into her tiny car and we soon learned that her driving was just as full of energy and speed as she was. As we got further away from the Perugia train station we began to notice more and more untouched land that was filled with nature, much different than we had previously seen in Rome and Florence. The winding road took us over hills and around sharp corners, eventually ending up on a rocky driveway.

The driveway led our vehicle into an even denser part of the countryside and to the very top of one of the many rolling hills. We parked the car and were immediately greeted by other members of the Vasta family and staff, offering us vino, hugs, and great big smiles. As we walked around we were overly impressed and in denial that we had arrived at our destination for the next six weeks of our Italian stay. The Vasta house, more similar to a castle, was beautifully designed with a balcony, a dining patio, and large decorative doors. In spite of its vast size, the building and the nature surrounding it seemed to compliment one another so well that it seemed as if they had grown out of the earth simultaneously, sharing the same source of water and sunlight. To the right of the house is a long pathway marking the division between two of the other property buildings. Our rooms we soon discovered were on the right, and classrooms and conference area to the left. Just in case you were having trouble distinguishing whether the Vasta building was really just an extremely large home, past these two buildings, but visible from our initial arrival point, stood an actual castle built near the year 1000.

Once everyone had arrived we were given our room keys and began unloading our bags. That evening we gathered on the outdoor patio and were served a three-course dinner. I assumed that our meals would be somewhat like the cafeteria in our college at home, but instead we were treated like customers at a nice restaurant. The fine dining included an appetizer, main course, and dessert, accompanied by bread, water, and wine. We were quite surprised when we discovered that this dinner was not for special occasions, but instead, the way all of our lunches and dinners would be served for the remainder of our stay. Throughout our stay we have grown extremely fond of the Vasta staff which includes Iban, Rosa, and Paola. They are such gracious people, so giving and helpful. They have definitely enriched our stay here and made us feel at home.
